So, where Kenneth Branagh’s introduction to Thor was a charming, cheesy, even campy fish-out-of-water comedy, Alan Taylor’s The Dark World is — tonally, visually, thematically — a different kettle of bilgesnipe, on a much bigger scale than the relatively low-key first instalment. At times it even feels like a sci-fi war movie. The one thing it doesn’t feel like, even though its lead character can fly and is virtually indestructible, is a superhero movie.
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